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She was uncomfortable with the bunny boiling scene, which she thought was too extreme, but she was assured on consulting the psychologists that such an action was entirely possible and that Alex's behavior corresponded to someone who had experienced incestual sexual abuse as a child.
Alex Forrest was originally scripted slashing her throat at the film's end with the knife Dan had left on the counter, so as to make it appear that Dan had murdered her.
After seeing her husband being taken away by police, Beth finds a revealing cassette tape that Alex sent Dan in which she threatens to kill herself.
Upon realizing Alex's intentions, Beth takes the tape to the police, which acquits Dan of the murder. The last scene shows, in flashback, Alex taking her own life by slashing her throat while listening to Madame Butterfly.
After doing test screenings, Joseph Farrell who handled the test screenings suggested Paramount to reshoot a new ending.
Alex's murder by Beth juxtaposes the relationship between the two characters; with Alex being victimized and Beth violently protecting her family.
In the Special Edition DVD , Close comments that she had doubts about re-shooting the film's ending because she believed the character would "self-destruct and commit suicide".
I was playing a very specific, deeply disturbed, fragile human being, whom I had grown to love. The film was initially released in Japan with the original ending.
In the earlier phase of the film, when it was under the title Diversion , Alex committed suicide in the end. After showing this version to a test audience, they felt this was not a good enough way for Alex to go.
Instead, the producers decided to shoot the last scene as a more vengeful and violent death for Alex. I desperately wanted to remind the audience that this character was more self-destructive than destructive.
However, this presented a more traditionalist message to the audience. And she became the most hated woman in America.
After its release, Fatal Attraction engendered much discussion of the potential consequences of infidelity. Some feminists , meanwhile, did not appreciate what they felt was the depiction of a strong career woman who is at the same time psychopathic.
The Undeclared War Against American Women , arguing that major changes had been made to the original plot in order to make Alex wholly negative, while Dan's carelessness and the lack of compassion and responsibility raised no discussion, except for a small number of fundamentalist men's groups who said that Dan was eventually forced to own up to his irresponsibility in that "everyone pays the piper".
Feminist scholars have also stated that in many ways the film has used its correlation of career woman to psychopathy in order to create its horror element.
As described by Deborah Jermyn, the use of the "monstrous-feminine" as a tool in the s horror genre was a way to portray a man's worst fears', where a woman has rejected familial values and reverted to hysteria, questioning the true values of woman and what it means to be feminine.
The fluidity of these female characters' monstrous and fearful tendencies is what makes the "fear" more real, according to feminist study.
The fact that a woman who rejects traditional womanhood for a more career-based lifestyle can swap in just a matter of moments to the "housewife", and vice-versa provides the horror that this movie begs.
Women feared both becoming this career-driven "monster" and being the oblivious housewife, while men feared that their companion could in fact be both of these things at once.
The film has left an indelible impression on male viewers. Close was quoted in as saying, "Men still come up to me and say, 'You scared the shit out of me.
The film spent eight weeks at 1 in the U. Overall, the film received positive reviews from critics.
The character of Alex Forrest has been discussed by psychiatrists and film experts, and has been used as a film illustration for the condition borderline personality disorder.
Stalking Narratives and the Law , "Glenn Close's character Alex is quite deliberately made to be an erotomaniac. The popular term "bunny boiler", often used to describe an obsessive, spurned woman, derives from the scene where it is discovered that Alex has boiled the pet rabbit.
As Alex Forrest is portrayed as a psychotic, love-obsessed woman seeking revenge, behaviors that represent stalking are present.
According to a study of people conducted by Randy and Lori Sansone, over half of the people who were found guilty of stalking-related incidents also experienced borderline personality disorder among other mental health concerns.
It can be noted that Alex Forrest's femininity was seen as toxic and fearful to the people in the film that she interacted with, which is a crucial representation of women as possessive and psychotic when it comes to dominance over a man.
People who experience borderline personality disorder can also have higher risks of issues like bipolar disorder and schizophrenia. Further, most stalking situations occur from people who were previously involved in relationships with the person who is being stalked, according to research by Spitzberg and Vekslet.
These circumstances, Beth and Ellen, are his family, and though Alex and Dan did not have a deep or meaningful relationship, Alex's clinginess caused assumptions of mental health issues.
Alex's representation of poor mental health in this film shows exactly the clinginess and attachment that people with stalking behaviors present.
Slitting her wrists and pretending to be pregnant are manipulative techniques that someone with a personality and attachment disorder would use to regain the desired intimacy with a former partner.
Women tend to stalk former partners as well as the women associated with those former partners, much like one can see in the film Single White Female.
American Film Institute recognition. From Wikipedia, the free encyclopedia. Redirected from Bunny boiler. This article is about the film. For the play based on the film, see Fatal Attraction play.
For other uses, see Fatal Attraction disambiguation. Michael Kahn Peter E. Film in the United States portal s portal Horror portal.
The View from the Bridge: Memories of Star Trek and a Life in Hollywood. Retrieved 14 February The Journal of Popular Culture.
The Backlash in the Movies", Chapter 5 of Backlash: A feminist appropriation of the female psychopath". The Field Guide to Personality Disorders.
Movies and Mental Illness: Using Films to Understand Psychopathology. Every Breath You Take: Stalking Narratives and the Law.
University of Michigan Press. My sympathy for the bunny-boiler". Retrieved 20 July Stalking behavior and borderline personality".
Personality attributions of unwanted pursuers and stalkers". American Journal of Psychiatry. Retrieved 2 November Retrieved 22 September Retrieved 23 September Retrieved 21 January Films directed by Adrian Lyne.
There's no male equivalent of 'a women scorned' or a 'bunny boiler'. As 'bunny boiler' is a recent phrase with such a clear source we are able to trace how it has found its way into popular use.
It wasn't directly from the film, as the epithet isn't used in the dialogue or in any of the advertising blurb used to promote it.
As to who coined it, that's not clear, although it may well have been Glenn Close. Popular phrases that have found their way into the language since the emergence of the Internet appear first in online discussion groups, blogs and online newspapers.
The earliest large archive of online colloquial messages is that of USENET groups, but 'bunny boiler' isn't found there until , nor does it appear more than once or twice in the archives of US or British newspapers before that date.
The section of the public that most enthusiastically adopted the term into its language was street-wise young adults - not a group that would normally be expected to read the Ladies' Home Journal.
Bunny Boiler, we find:. And the love-struck Geordie has already warned her boyfriend Stuart Wilson's army of female fans to stay away.
I can see how people think I'm a bunny boiler. If the phrase were a commercial product then marketing people would say that it reached its target audience in It certainly saw a sudden and widespread use from then onwards and became a commonly used phrase.
Fatal Attraction was released in and Close referred to the phrase in Newly coined terms appear to spread in the community like viruses and, like flu viruses, they float around in the populace until they reach a threshold of infected cases, above which they spread rapidly.